Here are some scary things about corn:
1: Corn is actually man-made. All corn descends from a type of corn...
Today was just ugh. Rainy and cold do not fit my personality. Ugh. Well, I’m babysitting a hamster. She is so cute but: she bites....
My Aunt Anna is the best aunt ever!!!!!!!!!!!!
Because this would make you at least smile.
And now, after a long day at high school roaming the halls like some minx on the...
“Cheat Codes” - (Beta Version) - Happy Leviathan (by HappyLeviathan)
maybe it’s mathcore or chiptune but i like to, affectionately, call this “nerdburn”
Selected comics from No Safe Harbor: Essays about Pirate Politics with works by Lawrence Lessig, danah boyd, Cory Doctorow and the Electronic Frontier Foundation among others.
Via No Safe Harbor:
No Safe Harbor, released January 24th 2012, is a collection of political essays, texts, and discussions that help explain and educate about Pirate Party positions…
…Topics covered include notes on the 4th Amendment, the history of copyright, biopatents, and corporate personhood.
The book is released under a Creative Commons license (CC-BY-NC-SA) and sharing of it is strongly encouraged. To further that, the book is available in a number of DRM-free formats, free of charge. In addition a paperback edition can be purchased through Amazon.com for $9.99
Images: Mimi and Eunice by Nina Paley. Select any to embiggen.
and here’s the protagonist, Arnold.
He’s great.Something that strikes me about Absolutely True Diary is the transparent, lucid way that Arnold views himself. What kind of a kid would really draw themselves as a knobby-kneed, bespectacled, stuttering pubescent who doesn’t look like he could fit the definition of “cool” any more than he could fit into a size L tee shirt without looking like he is swimming in it? It is this element of Absolutely True Diary that makes me wary. Is Arnold peculiar in his lucidity surrounding who he is and where he comes from? I know that as a kid I would be hard-pressed to admit to anyone that I came from a family of farmers. It was so much a part of me, but you would never be able to tell from looking at me or from asking me anything about myself back then.
What kind of pride does Arnold have for who he is?
Does his pride in being Indian make his ease with which he expresses candidly who he is possible?
Is his awkward adolescence in all its glory highlighted and accentuated by his “Indian-ness”?
Or is he just a kid?
I think it is interesting that this is how he draws himself at the beginning of the book and then how he talks about himself at the end is so different. I would like to see another self-portrait. If he is that shaky, how can he play bball so well? I imagine the self-portrait at the end of the book would be closer approximation to how others see him.
Because this would make you at least smile.
And now, after a long day at high school roaming the halls like some minx on the prowl, trying to look cool, walk tall, get good grades and find a girlfriend all at the SAME TIME, you should just sit back for a second, stop sucking in your gut or puffing out your chest, and watch this.
@hfinne, a #teachread class member, whose work is featured on @deviantART alerted us to the Stop Online Piracy Act. We’ve been wondering with all the reblogging, remixing and appropriating that’s inherent in reading and writing the Internet…where does the line get drawn? Colbert asks us this question with a little “Single Ladies” action.
On #engchat tonight, the discussion covered the ‘controversial’ content of books designed for young adults. This link is Sherman Alexie’s response to an earlier WSJ article from Megan Gurdon, called: “Darkness Too Visible: Contemporary fiction for teens is rife with explicit abuse, violence, and depravity. Why is this considered a good idea?”
Since our #teachread conversation a week ago, I’ve been thinking about the experience of reading/writing online. This was posted on one of my old student’s Facebook newsfeed. I don’t know who to credit for it.
RT @Sherman_Alexie: Met a young man in NYC who excitedly said I was the first Indian he’d ever seen. How fun to be exotic.
I used to teach out West, surrounded by reservations. I remember being particularly challenged in connecting with many students who spent part of their time on the reservation and part of the time in the suburban area we called the city. One boy in particular, let’s call him Arnold, wrote beautiful poetry and descriptive prose. Whenever we tried to talk to each other, we would end up awkwardly staring at each other. He wasn’t the first.
I started going to the intertribal monthly meetings trying to better understand how I could better design instruction and understand my students and their families. Soon after I was invited to my first Quinceanara for Maria and luau for Mele. I realized that I had much to learn about the multiple frames of reference my students brought to the classroom. Like I did with the Intertribal Council, I was welcomed as I began to engage in the multiple communities within the school community. I returned to school to complete my English as a Second Language certificate. I set up and advised The Forum, which was a collective of students who were sent as representatives from whatever student-determined groups wanted to participate. (It was fascinating to see who wanted representation—just to name a few of their self-labelled groups: Skaters, Tongans, Straight-Edgers, Latinas, Super-Involved, Drama Geeks.) We met to discuss issues the various groups identified and to advise school administration and student government in their decision-making. I went to China to teach in the summer to learn from (what I assumed was going to be) a completely new frame of reference.
And yet Arnold and I continued to stare at each other. He taught me that though important, I also made too much of assumed difference. Broad knowledge of a ‘culture’ was not going to get me any closer to connecting with my students individually. It still came down to learning how each of us related to each other.
When I moved to the East I was surprised by how many people assumed I was in ‘culture shock’ by the diversity of the city. I knew I had a lot to learn about the new cultural histories and frames of reference represented in the city, but I also knew that it was possible to connect across differences of many kinds—and that I couldn’t get there by focusing too much on the differences I assume are there in the aggregate. In The Absolutely True Diary of a Part-Time Indian, Alexie has the character Gordy wisely say:
Well, life is a constant struggle between being an individual and being a member of the community.
I’ve learned that it is also true in how we see and understand each other to be.
RT @Sherman_Alexie: I was a terrified Indian when I first visited NYC; Now I’m a jaded Puerto Rican dude.
In #teachread, we were analyzing the features and characteristics of YA literature. Looks like we inspired the Simpsons to do the same!
In the #teachread class we’ve been studying intertextuality. I was just thinking of the classic The Simpsons and their unfailing use of references and allusions to other texts—literary or not.
i finished reading this for the third time yesterday. one of my favourite books in the whole world, with the most perfect ending.
“You live several lives while reading…” William Styron
A quote found on my way to a school today. Very fitting for how I feel when I read YA literature.
The “We’re a Culture, Not a Costume” Halloween ad campaign
In his essay, “The Commodification of Indian Identity,” George Pierre Castile cites the beginning of this struggle as being the first interaction between Native Americans and Europeans: “The colonialists made a “market” for ethnic identities, in which they have been traded as commodity ever since.”
I have just been rereading Gates piece on ‘race’ as a trope used to simplify a complex amalgam of historical racism. Race as a commodity is in that same vein. Surprising how apparent is it to so many people—but only after it is pointed out. I’d add that ‘urban’ is the next generation of the same.